Steve McQueen — Lover’s Rock

Suffused with the intoxicating sounds of reggae, dub, and Lovers Rock, the second installment in Steve McQueen’s Small Axe series unfolds over the course of one rapturous night into dawn in early-1980s West London, as a young woman (the luminous Amarah-Jae St. Aubyn) sneaks out to attend a house party. As the alternately languorous and ecstatic rhythms pulse from a homemade sound system, romance sparks on the dance floor, small human dramas play out, and, for a moment, this gathering is a safe haven from the outside world. Aided by the sensuous cinematography of Shabier Kirchner, McQueen captures an exhilarating expression of Black joy in a society often intent on stifling it.

Lisa Cortés — Little Richard: I Am Everything

This documentary tells the story of the Black queer origins of rock n' roll, exploding the whitewashed canon of American pop music to reveal the innovator -- the originator -- Richard Penniman. Through a wealth of archive and performance that brings us into Richard's complicated inner world, the film unspools the icon's life story with all its switchbacks and contradictions. In interviews with family, musicians, and cutting-edge Black and queer scholars, the film reveals how Richard created an art form for ultimate self-expression, yet what he gave to the world he was never able to give to himself. Throughout his life, Richard careened like a shiny cracked pinball between God, sex and rock n' roll.